Sacramento 2025 Movie Review
Sacramento, directed by and starring Michael Angarano, is a road trip comedy that trades slapstick for something more grounded, introspective, and quietly affecting. The film follows two longtime friends, Rickey (Angarano) and Glenn (Michael Cera), as they embark on an impromptu journey from Los Angeles to California’s capital. It’s a story about navigating the messy anxieties of adulthood-parenthood, grief, and fading friendships-wrapped in a package that’s equal parts humorous and heartfelt.
The film’s strength lies in its cast. Angarano, pulling triple duty as writer, director, and lead, brings a restless, charismatic energy to Rickey, a man clinging to a free-spirited persona that’s starting to fray at the edges. Cera, as Glenn, delivers a performance that feels like a natural evolution of his signature awkward charm, now layered with the weight of impending fatherhood and a need for control. Their chemistry is the film’s heartbeat, capturing the push-and-pull of a friendship that’s both deeply familiar and increasingly strained. Kristen Stewart, as Glenn’s pregnant wife Rosie, and Maya Erskine, as a figure from Rickey’s past, add emotional depth in supporting roles, though their limited screen time leaves you wanting more of their nuanced performances.
Angarano’s direction keeps things moving at a brisk 84 minutes, with dialogue that’s sharp and often bitingly funny, especially when the two leads bicker like an old married couple. The film’s visual style is straightforward, leaning on California’s sun-drenched highways and Sacramento’s understated charm-think Old Town and the Tower Bridge-for atmosphere. While the pacing stumbles in the final act, rushing to tie up loose ends, it doesn’t detract from the film’s core: a thoughtful exploration of how men grapple with vulnerability and change.
Sacramento isn’t breaking new ground in the buddy comedy genre, and it occasionally leans too heavily on familiar tropes. Comparisons to films like Sideways or last year’s A Real Pain are inevitable, but it carves out its own space with a sincerity that feels earned. It’s not a laugh-out-loud riot but a movie that elicits knowing smiles and the occasional lump in the throat. For anyone who’s ever felt stuck between who they were and who they’re supposed to become, it’s a relatable ride.
Assessment: Sacramento is a charming, if slightly uneven, indie comedy that shines thanks to its strong performances and authentic take on friendship and growing up. It’s a solid choice for fans of character-driven stories who don’t mind a few narrative bumps along the road.
